(An excerpt from diary, July 1989)
Loveliness is one letter away from loneliness.
There is something about writing for me that is lovely and lonely all at once. There are so many more things I am able to express and say through writing that I can’t say in real life. Mostly, because I write what I am unable to feel in physical reality.
Maybe it is because while growing up, I did not have a safe space in which to cry and experience sadness. I had loving parents whose definition of love involved teaching me how to survive war-scale tragedy. To that end, crying and sadness were not tolerated.
I needed somewhere for my intense sadness to go, and so I would stay up all night and write letters to my friends. And write in my diary. And because cutting too is a version of writing, I would carve morse code into my wrists. Because emotions. Because writing was my safety. Because writing became my language for desolation. For pain. For sadness. Because I could write all night and drop tears on paper and the paper and the ink never told me to stop weeping and the paper and ink never judged me for what I felt. Because I could cut into myself and release pain. Because all of this could be done in silence. In private.
And because all of this could be done in loneliness–because I could rip up the paper when I was done. I could roll down my sleeves. But the words were out there. I was creating loveliness out of loneliness.
As I write this, I cry. I weep for that girl. If I could go back in time, I would tell her to cry her eyes out for as long as she wanted, that it was okay. To beat against the walls. To scream. I would hold her. And if she wasn’t ready to be held, I would tell her I would be there when she was ready. I would stay through her rage and sadness and I would tell her she didn’t need to be funny or strong or charming all the fucking time. And when she felt elation, I’d tell her to let loose with abandon.
I am still that girl.
When I see my young daughter, reaching her tantrum-tinged toddler years, I hold her. I tell her she can’t always be cheerful, but that I will wait until she calms. And we will figure out what it is she wants, together. I am determined to be her safety in all dimensions.
I have people in my life who do that for me, now. Who hold me. Who show me there is another way to be. For that I am eternally grateful.
Given the above, I smile when people ask me why I write.
I write, I say, because writing saves my life.
Most people don’t realize that I mean that on literal terms.
When I had my stroke, I wrote my way out of it. I have written my way through love. I have written my way out of heartbreak. I have written my way into exploring ambiguity. I have written my way out of censorship. My writing has made me grow up. My writing has given me a bar for which I should reach. My writing has kept my heart open, even if times a crack.
Writing has saved my life, and it continues to save me. It transforms my loneliness into a loveliness. And I hope in turn, it transforms the loneliness of my readers into loveliness, an exquisite beauty.
And in that way, I hope my writing saves your life, too.
Loneliness is one letter away from loveliness.
Joining Heather’s Abecedary, Fog City Writer, and other writers like Susan Ito in working through the alphabet with short, memoir-like pieces. Except I’m going to go in reverse, beginning with “Z.” It’s called Alphabet: A History.